Keyboard.io Logo Twisted Crest Pop Up Card
Another one of the twisted-crest style origamic architecture pop up cards I did early last year. This is modeled on the logo for Keyboard.io, which makes a really great heirloom-grade ergonomic keyboard (the Model 01). This one was done on the new Glowforge, which made some of the finer details a lot easier.
Twisted-Crest Celtic Spiral Pop Up Card
In keeping with tradition, here is my 2017 holiday card. This predates the new Glowforge by a few months. So, it was done on the Gazelle cutting machine.
Make a 180º Open Twisted Crest OA/Kirigami Pop UP Card
I have been having fun making these 180º open twisted crest style origamic architecture pop up cards. This is a clever technique and, I wanted to invite you to join in the fun. This post includes patterns for my new Flower Crest design, suitable for production on a laser cutter, a craft CNC cutter or, by hand.
Most people will have to actually make one of these cards or watch the folding video to get how it works. I originally spotted this technique used for several patterns in Keiko Nakazawa’s 2006 book 3D Pop-Up Greeting Cards (link in the resources section below) and, abstracted it to make my own designs. Rather than gluing to backing cards, I prefer to develop other approaches like what I have done here.
Settings for your cutting machine, whether CNC or laser, will vary depending on your machine, the specific paper stock you are using and other factors.
The paper I used for my cards was 0.014″ thick 105lb cover stock.
On the Glowforge, I used a speed of 500 and power of 72 for the cut lines and a power of 18 for the mountain fold lines. I scored the valley fold lines on the back by hand with a craft knife. If you are a Glowforge user, you likely have some experience dialing in settings for a particular material. I color-coded the file so that the GFUI will separate and order the operations on import.
27 July 2019 update: I’m seeing less smoke deposition with lower power and slower speed. I have switched to using 250 speed and 36 power.
My settings for each operation for the Gazelle cutter are in the MTC file as layer descriptions (D is depth setting on my adjustable blade holder, V is velocity and F is force). Those will probably be mostly useless unless you are also using a Gazelle cutter with an adjustable blade holder. If you are a craft cutter user, you are likely used to sorting out settings for a given stock. The layers are in the order you should cut them. The last two layers are the backing card (one score and the cuts).
Viking Longship Origamic Architecture Card
This Viking longship OA/kirigami pop up card was some time in the making. I’m quite happy with it, especially the dragon head.
I made four custom rubber stamps for imprinting the sails (two dragons and two spirals, one for each orientation). The metallic ink takes a long time to dry (like a month). So, I embossed them with clear embossing powder and a heat gun. The tongue is painted red. Lots of fragile bits on these. So, they required careful handling.
We All Have Our Demons
Another of the “twist” style origamic architecture pop up card. This one is inspired by Lucy Bellwood’s character from her 100 Demon Dialogues comic collection. It’s great and, you should check it out.
Silver Snowflake Celtic Knotwork T-Shirt
During the holidays last year, I was looking through some of my old Celtic knotwork designs. I came upon the original pencil sketch of my 1992 Snowflake design and, decided to print it in silver on some really nice black 100% cotton heavyweight T-shirts to give as gifts to family and friends. They came out great and, were a big hit.
Special thanks to my good friend and wonderful, highly photogenic model, Tanya, for showing off the women’s fitted shirt for the photo!
Of course, I printed more than I needed and, have some extra shirts, both in a standard unisex T and, a fitted women’s T. So, those are up in the online shop, if you want to grab one. There are limited quantities on-hand but, I can easily print more, if there is enough demand.