Ireball and Arc of History D20 Chonks

I made a couple of the 42mm Jesmonite 20-sided dice for the ⚔️🧊w/🎲 charity auction supporting the Immigration Law & Justice Network.

I made a spiky black stand for the orange-and-yellow fire-themed Ireball chonk.  The specific fantasy property vibes it is almost certainly giving you were unintentional, but they do fit the theme.

The Arc of History chonk is inspired by copper with a deep patina. I paired it with one of my maple reliquary stands.

This is the first time I am making any of my dice generally available, and I don’t know when that might happen again. If you are reading this before 1 August 2026, go grab these while you can at the auction site.

Fountain Pen Nib Hand-Carved Eraser Stamp

A white rectangle of paper imprinted with a stylized image of a fountain pen nib engraved with spirals and the Evermore ambigram sits on a surface covered with handmade dark brown paper. The hand-carved eraser that made the print is laying horizontally above the print, leaning against a translucent pen stand. Part of a bottle of writing ink is also visible in the background.

I started playing with fountain pens and ink (again, after a very, very long hiatus) last year. I imagined a fountain pen nib with some spirals and my Evermore ambigram, and turned it into a hand-carved eraser stamp.

There is a 16-second nib eraser imprinting video on YouTube:

Hand-Carved Bookshelf Eraser Stamp

I carved this shelf full of books back in late May, but it seemed less exciting than some of the others I was doing around the same time. I made some more impressions on the Strathmore paper, and gave them the watercolor pencil treatment. I think the color punches it up a lot.

There is a one-minute bookshelf stamping and coloring video on YouTube.

Calcifer Eraser Stamp and Mixed Media Prints

Here’s Calcifer from the Studio Ghibli classic Howl’s Moving Castle! I printed this eraser carving in red ink, and added some additional yellow and orange with watercolor pencils.

Makerblock designed and 3D printed a holder for carving erasers, and sent me one to try. This was my first go at using that. It works really well!

The Fabriano Unica printmaking paper I have been using for most of these eraser prints bled a lot with the red ink. I experimented with the Strathmore printmaking paper and some plain bristol. The impressions are sharpest on the bristol – unsurprising as the clay coat surface doesn’t let the ink sink in much at all. The watercolor pencils, however, need to soak in a little to get the best saturation and vibrancy. So, I went with the Strathmore paper for the final prints.

Making Eraser Carving Design Transfers with a Plotter and a Pencil

Close-up of a Bosskut Gazelle plotting cutter. There is a mechanical pencil in the tool holder, and a rectangle with a sword and flower are being drawn on a piece of tracing paper on the cutting mat.

While talking about different ways to transfer designs to the substrate for lino (and eraser) carving, I had this kind of silly idea. One common way to transfer designs is to trace them in pencil, then rub the pencil drawing onto the carving surface. Because I don’t like the additional inaccuracy I add to the design when tracing, I mostly use other approaches. Since I am creating most of my art as vector images in Inkscape, I wondered if I could use a pencil in my Bosskut Gazelle plotting cutter to draw the design.

It worked with a pencil (a soft-lead Blackwing in this case), but the line width changes as the tip wears down. I was aware of a new mechanical pencil from Uniball in Japan called the Kuru Toga Dive that automatically advances the lead as it is used. They are kind of expensive, but this experiment was a great excuse to add one to my toolkit here. So, I got one (in purple, of course), along with some extra-soft 2B lead.

It worked great! This probably isn’t a practical approach for most people, unless one happens to have appropriate equipment on-hand already, and is creating vector images for their designs. Still, it was a fun experiment, and I won’t rule out actually using it in the future.

I put together a <2-minute video short showing the process of using the plotting cutter to make a design transfer.

Sword and Flower Hand-Carved Eraser Stamp

The thought that some sort of sword would make a fun eraser stamp had been bubbling in the background in my brain for awhile. I kept imagining completely different swords. This is the one that materialized when I sat down to draw one up. The tip in the ground and the flower came into the vision pretty early on. In fact, they influenced the final form of this sword.

The blade on the original version was a lot more complicated. It was too odd, and I simplified it to this.

I have had trouble with the silver stamp pad ink not drying very quickly (like for weeks) on some paper. The gold I used for the Star Trek insignia stamp is from the same manufacturer and has the same issue. Those took forever to set on that smooth black stock I used. With the Fabriano print making paper for the sword and flower, it seems to have soaked in enough to no longer transfer or smear.